09.12.2022 09.12.2022

4 legs good Claire Cunningham


4 Legs Good Meyer_Unlabel
4 Legs Good is a lecture performance exploring Claire Cunningham’s artistic practice; specifically the use/ misuse, study and distortion of crutches and how they shape her own artistic practice.


€ 15 - 20

general info

✔ ENG spoken
✔ Dutch surtitles
ICON_toegankelijkheid_Tekengebied-5-kopie-3_30px.jpg#asset:13899306 live tolk VGT
✔ relaxed performance

estimated duration


This lecture performance by multi-disciplinary artist Claire Cunningham explores her artistic practice - specifically the use / misuse, study and distortion of crutches as artistic practice and how they shape her work. In the widest sense her work has shifted from its explorations about the connection between the crutches and the body – what is possible in the combination of the crutches with her and other bodies – to how the crutches connect her to the world.

In the course of her career, Claire has not only shown the courage that is inherent in all powerful artists. Above all, she has rehearsed the rejection of the status quo – ours and hers. In doing so, she pretty much mixed up some of the things that are taken for granted in the contemporary performance scene.
Emma Gladstone - freelance writer and curator

Claire Cunningham is a performer and creator of multi-disciplinary performance based in based in Glasgow, Scotland.  A recent Factory Artist with Tanzhaus NRW Düsseldorf, Germany she is also an Affiliate Artist with The Place, London.

One of the UK’s most acclaimed and internationally renowned disabled artists, Cunningham’s work is often rooted in the study and use/misuse of her crutches and the exploration of the potential of her own specific physicality with a conscious rejection of traditional dance techniques (developed for non-disabled bodies).  This runs alongside a deep interest in the lived experience of disability and its implications not only as a choreographer but also in terms of societal notions of knowledge, value, connection and interdependence.  A self-identifying disabled artist, Cunningham’s work combines multiple art forms and ranges from the intimate solo show ME (Mobile/Evolution) (2009), to the large ensemble work  12  made for Candoco Dance Company.

(Read further under the video)

In 2014 she created Give Me a Reason to Live, inspired by the work of Dutch medieval painter Hieronymus Bosch and the role of beggars/cripples in his work, and the full length show Guide Gods, looking at the perspectives of the major Faith traditions towards the issue of disability. Awarded one of the Unlimited Commissions in 2016 she created the duet The Way You Look (at me) Tonight with choreographer Jess Curtis.  The piece has since toured world-wide, was selected for the 2018 Tanzplattform in Germany and was nominated for an Isadora Duncan Dance Award.

Claire is a former Artist-in–Residence at the Women of the World Festival at the Southbank, London and of the Ulster Bank Belfast Festival at Queens.  In 2016 she was Artist in Residence with Perth International Arts Festival, Australia and Associate Artist at Tramway, Glasgow.

 In 2019 Claire was commissioned to do her first piece for gallery spaces, taking part in Automatise Ambulatoire: Hysteria, Imitation, curated by Amanda Cachia for Owen’s Art Gallery, Sackville, Canada.  In July 2019 Claire premiered the ensemble piece, Thank You Very Much at Manchester International Festival which went on to win CATS awards for Best Ensemble and Best Sound and Music.  In 2021, Claire was honored for her Outstanding Artistic Development in dance at the German Dance Award


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