ELEKTRA UNBOUND | NTGent

ELEKTRA UNBOUND

With ‘Elektra Unbound’, NTGent house artist Luanda Casella stages yet another Greek tragedy. Or so we are made to believe.

MAKERS

Luanda Casella / NTGent

Read more about the work of Luanda Casella

PRACTICAL INFO

✔ English spoken
✔ Dutch surtitles
✔ Trigger warnings: none

SYNOPSIS

Three auditioners are trapped in a sensational montage of interviews and improvs. As they interpret iconic scenes from The Oresteia, the full trilogy about Elektra and her dysfunctional family, they start to reveal their disastrous own lives. Late-bloomer director Lua and her fierce assistant Lucius, who have a troublesome relationship, never arrive at the point of actually staging ElektraIs their inability the result of the complex relation we all have with tragedy, or is there more at play? Why is Lua frantically running away? And why do we get the feeling that these auditioners are all deranged?

The most current version of the full promotext can be found on this page.

TOUR DATES

The most current version of the tour dates can be found on this page.

PRESS QUOTES

Read all press articles on ‘Elektra Unbound’ here.

✒ "IRREVERENT, AWFULLY INTELLIGENT, AND HORRIFICALLY FUNNY" --- Etcetera (BE)

✒ "RIGHT THROUGH THE FAKE DRAMA DRILLS THE ECHO OF 2,500 YEARS OF LIVED, AUTHENTIC SUFFERING" --- De Morgen **** (BE)

✒ "IN HER ULTRA TIGHT SCRIPT, CASELLA WEAVES A GREATER CRITICISM ON SOCIETY ABOUT HOW WE ALL EXPLOY OUR WANNABE-TRAUMAS FOR ATTENTION IN THIS NARCISSISTIC TIKTOK-TIMES AND HOW THAT CHOKES ALL POLITICAL THINKING" --- De Standaard (BE) ***

VIDEO



PHOTOS

Download all images here. Free to use by theaters and journalists provided correct credits are given.

BIOGRAPHY

Luanda Casella is a writer and performer trying to rescue the art of storytelling from its mediatized doomed destiny. Her research focuses broadly on the role of literature in the development of critical thinking; the ways in which individuals relate to narratives to create a sense of identity, to form their opinion of the world and ultimately protect themselves. By examining rhetorical concepts through humor, her work exposes language constructions, exploring unreliable narration in fiction and in everyday communicative processes. During the last few years, she has been studying 'the rhetoric of deception', investigating the use of storytelling in communication media, institutions, and politics.

Read the full bio here.

SOUNDTRACK

Listen to the music of the performance on Spotify.

CREDITS

View the most current version of the credits on this page.

CONTACT

❔ Are you interested in programming this performance? Please contact Sophie Vanden Broeck, sales manager at NTGent:
✉: sophie.vanden.broeck@ntgent.be
☎: +32 485 80 38 43

❔ If you didn't find the promotional material you were looking for on this page, please contact Benny D'haeseleer, communications officer at NTGent at benny.dhaeseleer@ntgent.be

❔ For the technical rider or other technical questions, please contact oliver.houttekiet@ntgent.be

With closed eyes, you can see whomever you’d like Only humans can fantasise Until it holds from the inside Beyond madness, tenderness awaits There's all that future, still