A Play for the Living in a Time of Extinction
We're on the last run of a show that's been around for two years. But tonight, its performer can't go on stage. In her place, the dramaturg - in her 30s, afraid of death- addresses the audience and tries to resolve this tricky situation.
“I'm just going to try to tell you a few stories tonight, about some things I have been thinking about and researching in private. So that none of us has to be unbearably lonely tonight.”
Based on an original concept developed by British director Katie Mitchell for Théâtre Vidy-Lausanne, and written by author Miranda Rose Hall, A Play for the Living in a Time of Extinction is the first of two chapters in the Sustainable Theatre?-project, in which thirteen theatres in Europe and Asia reflect together on ways to make theater more sustainable.
(read more below the quote)
"ADEAGA MANAGES TO KEEP YOU ON YOUR TOES WITHOUT MAKING IT ACADEMIC: AN ART"Kristof van Baarle - Etcetera
The play, a courageous reflection on theatre and life facing climate disaster, is handed over from Katie Mitchell to other artists with nothing more than a series of instructions. For example, the entire staging process, in a radical approach, must be sustainable. Therefore, the required power of the performance will be produced live with the use of electricity-generating bikes. Thus making the tour, and its huge environmental impact, disappear. In its place a cycle of transmissions is triggered. From one artist to another.
Martha Balthazar, columnist and director who graduated from KASK Ghent in 2021, will direct NTGent's version of the play. She and actor Lisah Adeaga connect their artistic vision with the core topics of the performance: What is the impact of humans on the world? And how do we keep on being human knowing this? Which inheritance do we want for the future generations? And how can we re-establish our connection with the entire spectrum of living species at a time where total extinction is a real possibility?
cast
credits
text
Miranda Rose Hallproduction concept and original direction
Katie Mitchelldirection
Martha Balthazaroriginal dramaturgy
Ntando Celecomposition
Paul Clarkconductor
Valentina Toth, Electric Farmer (Elisha Millard)choir
Serdi Faki Alici , Katelijn Barbier, Sieglinde Berbiers, Johanna Buys, Lut Cocquyt, Gerd De Coster, Jozefien Derweduwen, Isabelle Finet, Ties Kalker, Jeanneke Lamberigts, Karina Provost, Annemie Van Cauwenberghe, Lucas Van der Vegt , Hugo Wanner, Katrien Wemelmusic composition
Alan Van Rompuy (A z e r t y klavierwerke)light design
Dennis Dielsdirection assistant
Liesbeth Standaertproduction management
Greet Provésound technique
Frederik Vanslembroucktechnical production management
Chris Vannesteproduction
NTGentcoproduction
Théâtre Vidy-Lausanne, R.B. Jérôme Bel, STAGES - Sustainable Theatre Alliance for a Green Environmental Shift, Dramaten Stockholm, National Theater & Concert Hall Tapei, NTGent, Piccolo Teatro di Milano - Teatro d'Europa, Teatro Nacional D. Maria II, Théâtre de Liège, Lithuanian National Drama Theatre, Croatian National Theatre in Zagreb, Slovene National Theatre Maribor, Trafo, MC93, Maison de la Culture de Seine-Saint-Denis, Medegefinancierd door de Europese Uniethanks to
Lightning Tree voor de energiefietsen, GramCNC voor het advies over de houten luidsprekers- 7 Oct 22 — VRT - Journaal vrijdag 07/10 (vermelding A Play)
- 7 Oct 22 — De Standaard - Zonder liefde is activisme weerloos (interview Martha Balthazar & Lisah Adeaga nav A Play)
- 23 Sep 22 — Subbacultcha - "Goeie storytelling is fragiel" - (interview Martha Balthazar nav 'A Play...')
- 14 Sep 22 — De Standaard - "De 19 beste podiumtips voor het najaar: van de Trojaanse oorlog op techno tot theater over exen"
- 16 Jun 22 — Knack - "Misschien moeten we nog radicaler worden" - (interview Martha Balthazar nav TAZ)
- 2 Jun 22 — Het Nieuwsblad (Gent) - "Nieuwe seizoen NTGent oogt opvallend Gents: jonge theatermakers en acteurs krijgen kansen"
- 4 Mar 22 — The New York Times (US) - 'Dit toneelstuk toert door Europa. Maar niemand gaat ergens heen.' (A Play for the Living in a Time of Extinction)